Click on any page below for product info!

10820 Guilford Road
Suite 209
Annapolis Junction, MD 20701
Located between Washington DC and Baltimore MD.
Just 3 minutes off Interstate 95 at Route 32 east.
Annapolis Junction is just north of Laurel Maryland near Colombia MD.
(In the Dorsey Run Business Center, corner of Guilford Rd. and Dorsey Run Rd.)
Washington D.C. / Baltimore MD./ Northern VA.
540-295-8313
toll free
1-866-4U AUDIO
Store hours 11:00am to 5:00pm Monday- Saturday
(Telephone lines are open 9am to 9pm 7 days a week, so give us a call)
Email us at;
United Home Audio is the expert source for everything Analog in the USA.
Turntables, tonearms, phono cartridges, phono preamps and of course
the award winning UHA reel to reel tape decks.
UHA Tape Deck Awards.
LATEST NEWS!
THE UNITED HOME AUDIO PHASE9 TAPE DECK WINS
AN "EDITORS CHOICE AWARD 2012" FROM
THE ABSOLUTE SOUND MAGAZINE
Award for 'ANALOG SOURCES' 2012
"UHA's Greg Beron is nothing if not persistent. Each year he further perfects his 15ips reel-to-reel tape player
(a highly modified Tascam unit), and each year his latest deck raises the bar on realism in stereo playback.
The most recent top-line version of the UHA-Q, the Phase9, is unquestionably Beron's best yet. With the right sources
(i.e., select Tape Project tapes) it cannot be bettered by any other source, analog or digital.
The Absolute Sound March 2012 - Issue 221
United Home Audio Reel to Reel
by admin on April 17, 2012 in Reel to Reel
There is a real (reel?) resurgence of old technology that is not limited to the humble (and in my opinion flawed) turntable. Reel to Reel tape decks are back and back in a big way.
United Home Audio is offering a range of reel to reel decks with outstanding audio performance that analogue lovers will lust after, and they leave turntables in their wake.
Having heard these machines at the CES trade show, I can say with absolute certainty that these machines are superb, both sonically and in terms of build quality.
Axpona 2012 Report
Confessions of a Part Time Audiophile
Martin Logan 5.1 surround system & The UHA Phase1 tape deck.
(Yes I said "Phase 1" owned by Ray Satcher in Jacksonville Fla.
The Phase1 was our first generation deck we developed 6 years ago,
the UHA decks are now improved 8 generations with the Phase9.)
Posted 3/14/12
Five Martin Logan CLX ART loudspeakers. $12k each/$24k a pair.
Five Martin Logan Depth-i subwoofers with CLX crossover (@47Hz) to make the CLX “full range”. $2200 each (crossover board is another $150).
Two Martin Logan Descent-i subwoofers. $3500 each.
One Krell EVO-707 3D Surround processor. $31,500.
One Krell EVO-403e three-channel power amplifier. $25k.
One Krell EVO-402e stereo amplifier. $18,500.
One Krell Cipher SACD/CD player. $12k.
One fully tricked out tape deck: “Phase 1" from United Home Audio.
One full reference line cable loom from Transparent Cables. ~$250k.
In general, I think that Martin Logan is probably not my go-to for surround sound music. The lateral dispersion just wasn’t there, which meant that the sweet spots were rather few in number, and if you were out of line, you were out of luck. That said, image lock was not a problem for those in the sweet seats. I’ve never heard such precision in a sound stage. EVER. But … as with the AIX Records demo, images themselves weren’t always proportionate, especially when we went to sound in the surround. Of course, as with the AIX Records demo, I couldn’t have cared less! This was seriously cool! Pink Floyd DSOTM? Woohoo! Bring it!
But my favorite part of the demo were the stunning — and I’m not using the word lightly — stereo recordings from The Tape Project.
The one-off-master of Bill Evans may well have been the best reproduction I’ve ever heard, anywhere, of anything. It was breathtaking.
The UHA Phase1 tape deck Axpona 2012
CES 2012 at T.H.E. Show in the Flamingo Hotel main floor Red Rock 1 room.
United Home Audio was at CES 2012 and there was an absolitely incredible interest in R2R.
The response to R2R has hit a fever pitch at this show, we were mobbed by interest.
The room was busy constantly and at times there were three customers lined up
waiting to discuss R2R. So many people were eager to hear the new Master Tapes
and we even had offers from international customers to sell all the Master Tapes we brought right now for cash!
NEWS FLASH:
There are new recording companies gearing up to issue Master Tapes!
Representatives from these new recording companies were gravatating to the excitement
over R2R in the UHA room. They even had some great demo tapes and they were using the UHA decks to
demo the tapes for distributors worldwide. They were equally surprised by the level of interest
in Master Tapes and left the show eager to get started on their own tape projects.
There was great sound in the room, natural texture and great layered dynamics!
Quintessence Shadow speaker $35K & PBN 400wpc Mono amps $15K each & Silver Circle Power Conditioner
NEW January 2012
The Absolute Sound Magazine
January 2012, Issue 219
PrimaLuna DiaLogue
Three Preamplifier
"Tube Seduction"
by: Jim Hannon
When the DL3 was coupled with the remarkable UHA-HQ Phase6 reel-to-reel deck and playing mastertape duplicates from The Tape Project, I was in sonic heaven!
The massed strings in Exotic Dances from the Opera were sumptuous and finely detailed, and rode on a cushion of air across a soundstage of such tremendous width and depth that it came surprisingly close to the dimensionality of my highly-modified reference preamplifier. The highs were naturally extended and balanced without any grain or forwardness , allowing the timbre of instruments like woodwinds to remain seductive yet lifelike; at the same time, the DL3 tracked the demanding dynamics swings of the music with aplomb.
When I listened to Dave Alvin on Blackjack David [TP-002]. his voice and guitar had such immediacy and palpability that I felt, at times, that I was listening to a live performance. It doesn't get much better than that! While the UHA-HQ deck is the best front end I've had in my system, the DiaLogue Three kept pace the this outstanding analog source on multiple levels.
Rocky Mountain Audio Fest 2011
United Home Audio new Phase9 tape deck
Jolida's new Fusion 211 tube monoblocks and Fusion Preamp
Von Schweikert VR-5 Anniversary MK2 speakers
Celtic Silver Pendragon Cables
(Photo from TAS web site taken by Jonathan Valin)
If you would like to see more and larger photographs of many of the loudspeakers reviewed, go to:
RMAF 2011 Report - Analog Sources
Posted by: Jacob Heilbrunn at 3:03 pm, October 19th, 2011
(Photo from TAS web site)
The VTL room included mastering engineer Piper Payne playing some of the Tape Project’s reels,
which, more often than not, sounded dynamic and translucent via Luke Manley and Bea Lam’s imposing Siegfried II monoblocks,
which are priced at $65,000 a pair, along with the $20,000 7.5 Series III preamplifier.Tape was also featured at Alon Wolf’s Magico Q1 demo.
The Nagra tape machine fed the $25,000 Q1, which sounded smashing—exceedingly nimble and transparent.
But the most memorable cut for me was listening to Lee Morgan’s “The Sidewinder” at United Home Audio’s room
on a $17,000 Phase9 Tascam machine, which boasts, among other things, capacitors with silk as the dielectric.
It sounded amazing.
The “Sidewinder” recording, which Morgan cut for Blue Note, was a surprise bestseller in 1964 and features some of his
most sizzling playing. I was quite smitten with the $6000 200-watt Fusion monoblocks that Michael Allen,
head of Jolida, Inc., has developed and based on the venerable 211 power output tube.
RMAF 2011 Report -
Loudspeakers Priced at $20,000 and Up
Posted by: Jonathan Valin at 2:02 pm, October 19th, 2011
From MBL I went down to the second floor and heard the $30k Von Schweikert VR5 Anniversary multiway floorstanders,
driven by Jolida electronics and sourced by Greg Beron’s UHA Phase 9 reel-to-reel 15ips tape deck.
The sound was excellent.
Tonality, spaciousness, dynamics—all first-rate. Of course, in a way this room was unfair.
Greg was playing back Tape Project mastertapes, including a freshly minted Beethoven Ninth,
and when they’re good those tapes are hard to beat.
Jonathan Valin's Best in Show
Best Sound (over $40k)
Vandersteen 7 (with ARC Ref 250 amp)
Runners-up:
Lansche 5.1, Cessaro Affascinate I SE,
YG Acoustic Kipod II Signature (with Esoteric electronics),
Vandersteen 7 (with Aesthetix electronics)
Best Sound (under $40k)?
Audio Physic Avanteras
Runners-Up:
Magico Q1 (on Sunday),
Wilson Audio Sashas (with D’Agostino Momentum amp and McGrath tapes),
Coincident Speaker Technology Pure Reference Extremes,
Von Schweikert VR5 Anniversary (with The Tape Project tapes),
Schimmel Voxativ Ampeggio
Greatest Bargains
Trigon Elektronik “Energy” integrated amp, Synergistic Research “The Music Cable”
Most Significant Product Introduction?
Audio Research Reference 250,
Clearaudio Goldfinger Statement moving-coil cartridge
Runners-Up:
Schimmel Voxativ Ampeggio loudspeaker,
Synergistic Research “The Music Cable” and Enigma II power supply,
Clearaudio Master Innovation turntable,
UHA-Q Phase 9 reel-to-reel tape deck.
Stereophile Report from RMAF 2011
Filed Under: RMAF 2011By: John Atkinson• Posted: Oct 20, 2011
The United Home Audio room at RMAF featured Von Schweikert speakers driven by Jolida electronics,
this time the Von Schweikert VR5 Anniversary Mk.2s ($30,000/pair), Jolida Fusion preamp and Fusion 200W tube monoblocks ($6000/all three).
But my eye was drawn to the UHA Phase 9 tape deck, which was playing some Series 3 releases from The Tape Project,
specifically Nat Adderley and his band performing "Work Song." One of the better-sounding rooms, I thought.
United Home Audio, Jolida, Von Schweikert Audio,
win a RMAF 2011
"OASIS AWARD"
from Positive Feedback Online!
By, Dr. David W. Robinson
Editor-in-Chief, Positive Feedback Online
http://www.positive-feedback.com
A grand system: Jolida Fusion System Preamp and Fusion 200 WPC Monoblock Amps, Jolida Fusion 200 DAC Transport prototype,
Von Schweikert Audio VR-5 Anniversary loudspeakers, and United Home Audio UHA Phase 9 tape deck.
I have been following the Von Schweikert line for a very long time now. As a matter of fact, I've owned several of the VR speakers over the years (VR-4, VR-4 Silver, VR-6),
and have evaluated/reviewed several others (the very fine VR-9's, and the VR-5's).
Albert had the VR-5 Anniversary Edition on display; I was familiar with them, but I had not heard them with Jolida electronics before.
The results with the United Home Audio UHA Phase9 open reel tape deck and the Jolida Fusion preamp and monoblocks were really impressive.
There is always something very special about open reel tapes… this is where I started in audio, while still in high school…
and the overall effect was smooth, richly harmonic, dynamic, and commendably transparent.
(I have to admit that I am completely unfamiliar with this company and this tape deck, and had no time to dig in on it while at RMAF 2011.)
I sat there for a while, just soaking in the music. It was so good that I forgot to check the titles of the classical recordings that we were listening to!
The VR-5 AE's were providing rich, involving sound, with little to fault in terms of musical values. Reasonably compact speakers…
but full-range performance! This is the real thing, amigos…Albert Von Schweikert and company have produced a real marvel here.
I'm going to have to look into Jolida… that's a lot of bang for the audio buck!
And I guess that I really should see if United Home Audio is interested in a review of their Phase9 sometime, eh?
Jolida Fusion preamp: $1099
Jolida Fusion monoblock amps: $6000/pair
Von Schweikert Research VR-5 Anniversary Edition loudspeakers: $27,000
United Home Audio UHA Phase9 tape deck: $17,000
Anything that gives me such a an exceptionally pleasant, relaxing audio experience at RMAF rates an Audio Oasis! Award in my book…done!
The Jolida Fusion Monoblock: 200 Watts of 211-based power!
NEW 12/4/11
More Late Breaking News From RMAF!
Mr. Wechsberg only highlighted 3 room out of the 400+ rooms at the show!
RMAF 2011 - At a Snail's Pace
by Mike Wechsberg
Some audio magazines give you real time blogs from the floor of a show like the Rocky Mountain Audio Fest, while others rush to publish as soon as the show is over. Well, here at PFO we writers are not paid to be fast, just accurate and interesting. So, here I am more than a month after the show writing yet another article about some old news. Editors David Robinson and Dave Clark have already posted the definitive PFO articles in pictures and words about this year's "fest" (just click their name's to read the reports). My motivation in writing this article is to convey some impressions about audio equipment, audio shows and the audio industry in general, that I hope give you something to think about.
I have attended all but two RMAF fests since they started in 2004. Each one has been better than the last in some way. This year I heard fewer mediocre sounding rooms than in the past. As these annual get-togethers continue in the same venue (Denver Marriott Tech Center) I think the returning exhibitors "figure out" the exhibit rooms and how to get decent sound in a small rectangular hotel room. Even on the first afternoon of the show, when the time to experiment with setup is short for everyone, I heard excellent sound virtually everywhere I went.
Over the three days I got to spend quite a bit of time in a few rooms. One of these was the room shared by Von Schweikert Audio and Jolida, Inc. I haven't been a fan of Von Schweikert speakers over the years, but the combination of VR-5 Anniversary Edition Loudspeakers with Jolida tubed electronics playing the Beethoven 9th Symphony on a United Home Audio open reel tape machine was spectacularly realistic and involving. The sound had great dynamic range and just the right blend of tonality, detail and spaciousness. I was exhausted at the end of the recording, just like I am whenever I hear this music in a concert hall. The equipment in this room was not cheap, but the cost was far from the most expensive setups at the show yet this room left me with one of the strongest impressions. Bravo to the folks who put this room together.
SECRETS of Home Theater and High Fidelity
The speakers are the new VR-5 Anniversary Mk2, $30,000. The Jolida amps are 200 wpc mono blocks.
The United Home Audio UHA Phase9 open reel deck was making beautiful music with a selection of classical and rock tracks.
The Capital Audiofest 2011 was a hit!
UHA-HQ R2R Project CEO Greg Beron answers questions about the
UHA decks from Jonn Atkinson of Stereophile Magazine at the Capital Audiofest 2011.
John Atkinson writes on the Stereophile web site,
"Listening to a Decca orchestral recording of Suite Espanole,
I was reminded how good analog tape playback could be.
Even a mono Thelonious Monk cut from 50 years ago sounded fresh."
NEWS on Greg Beron's R2R decks!
June 8, 2011
T.H.E. Show Newport report by
Audio Video Revolution
All of the systems below were mega buck (if you have to ask you can't afford it) systems except one!
Von Schweikert Speakers $3750, Jolida JD-1000 amp $2400 and 3000B preamp $1200!
Ok, the United Home Audio UHA-HQ Phase8 R2R tape deck was $15,000 but it just goes to
show what a good source can do to electronics at any price.
Most Memorable Rooms, in no particular order:
Von Schweikert speakers with Jolida electronics and United Home Reel to Reel
YG Acoustics speakers wth dCS, Bryston, and Tenor electronics .
Sanders Sound Systems electrostatic speakers with Sanders own amplifiers.
The Audio Salon room featuring Magico Q5 speakers with Spectral electronics.
Fidelis AV/Gene Rubin Audio Room with Harbeth speakers and LFD amps.
Veloce battery powered electronics with YG Acoustics Carmel speakers .
Audience room with a complete Audience system, using a modified Oppo as a source.
Ayon Audio room with Marten speakers. “The Bugatti of Audio” indeed.
Biggest Trends:
The use of multiple source components, old and new, including music servers, CD players, turntables, and reel to reel.
The proliferation of high performance, lower cost gear. I believe there has never been more value oriented products on the market in high end audio.
April 2011
Posted by: Jim Hannon
Publisher of The Absolute Sound Magazine
April 6th, 2011
Jim Hannon visits the studios of Paul Stubblebine Mastering and Michael Romanowski Mastering.
Paul and Michael use an incredible array of custom room treatments for The Tape Project mastering studio,
and it undoubtedly is a major factor in their ability to produce such incredible-sounding tapes.
"One of the keys to the great sound was that Bob Hodas, working in conjunction with Paul and Michael, effectively took the room out of the equation. He said, “"We settled on a basic room size and then on several occasions throughout the construction process measured the room to determine what acoustic treatments would be required and where the speakers wanted to be placed.” Bob contends that for any given room there is really one "best" spot for the speakers and listener. The goal was to create a room that was controlled but still produced an open and natural feeling. Without getting into too many specifics of his secret sauce, Bob used a combination of absorption and diffusion on the walls to pick off some first order reflections, while maintaining the room energy and hung some bass traps in the ceiling that according to Bob, “work in a broadband fashion.” He employed a Meyer SIM3 analyzer to examine the impulse response of the speakers and then the room’s reflection patterns. Phase and frequency response were studied in 1/48th octave resolution, and final adjustments were done with some highly modified Meyer parametric filters. Bob says that using this method, facilitated by the flexibility of the Focal Grand Utopia EM modules, he could fine tune the system to exactly what Paul and Michael wanted in order to hear the detail and linearity needed for their mastering work."
While this system costs a mint, it demonstrates how close one can get to the sound of a live performance (or the sound of the master tape) with great source material, a formidable playback chain, and a room that doesn’t choke the life out of the music, yet gets out of the way. I found myself leaving with a newfound respect for all the source and system elements, particularly the Focal Grande Utopia EMs and the VTL Siegfrieds, and what Bob, Paul, and Michael have achieved with the room acoustics.
"you can get surprisingly close to capturing many of their remarkable sonic attributes with a first-rate quarter-inch deck,
such as the marvelous United Home Audio UHA-HQ Phase Six with its upgraded electronics. When playing Tape Project tapes
(among others) through this retro tape-based front-end, my own home system has never sounded better. In fact,
the UHA tape playback system will be the subject of an upcoming review I’m preparing for The Absolute Sound,
so that I’ll hold my comments for now and share them with you when the review comes out later this year."
CES 2011
Posted by: Jonathan Valin at 12:12 am, January 12th, 2011
The ABSOLUTE SOUND web site
Posted by: Jonathan Valin at 12:12 am, January 12th, 2011
Nola made its usual top-flight showing with the superb $55k Baby Grand Reference ribbon/cone hybrid that I reviewed last year.
Driven (as usual) by ARC and sourced by Greg Beron’s fantastic United Home Audio reel-to-reel tape deck,
the Baby Grands sounded fantastic—fast, detailed, dynamic, deep-reaching, transparent, with a vast soundstage.
Of course, none of this was a surprise,
UHA HQ Reel to Reel tape decks at the Rocky Mountain Audiofest 2010
Posted on The Absolute Sound web site
www.avguide.com by:
Jacob Heilbrunn
at 6:06 pm, October 25th, 2010
RMAF 2010 Most Important Trend
The resurgence of reel-to-reel, promoted by the Tape Project and dealerships such as
Maryland’s United Home Audio
has to be the most surprising development in high end audio.
The tapes offer extraordinary resolution, free of grain and boasting immense
soundstage depth and an immaculate treble, when they’ve been well-recorded.
Posted on the Absolute Sound web site by:
Jonathan Valin
6:06 pm, October 26th, 2010
I’ll conclude with Carl Marchisotto’s $25k Nola Metro Grand Reference,
which combines an open-baffle ribbon tweeter with an open-baffle Alnico-magnet midrange and two
6.5-inch magnesium woofers in a ported floorstanding enclosure. Like so many other exhibitors,
Carl was using a tape player (one of Greg Beron’s United Home Audio modified Tascams) as a source...
On the orchestral tracks I listened to (dubbed from LP by Berone), the sound was just terrific.
Open, detailed, dynamic as all get-out, and quite realistic. Another one of the best sounds at RMAF.
Positive Feedback Online
Rocky Mountain Audio Fest 2010 - This is a Dogma- Free Zone
by Myles B. Astor
Jolida & UHA:
This room, using the Tape Project tapes played back through the $15,000 United Home Audio Phase VI modded
Tascam deck was easily one of the best, modestly priced audio systems at RMAF
Interestingly, the $3750 von Schweikert VR-33 speakers, sounded their best in the Jolida room being driven by the $2000
Jolida JD P1000 100 wpc tube amplifier and $1000 JD3000B balanced circuit tube preamplifier. The electronics acquitted themselves well with little evidence
of the soft upper octaves and muddy bass often associated with entry level tube electronics.
NOLA & UHA:
Marilyn and Carl Marchisotto brought to Denver their $25,000 Metro Grand Reference speakers replete with their
Alnico extra long stroke 6½ inch midrange drivers and an Alnico ribbon tweeter. As is Carl's custom, he used ARC electronics to drive his speakers;
the speakers really demonstrated excellent dynamic range, soundstaging and low frequency extension.
Teaming up with Marilyn and Carl at RMAF was Greg Beron of United Home Audio whose highly modded Tascam reel-to-reel decks provided tunes.
United Home Audio Tascam decks are now available in four color schemes including Black/Gold, Red, Silver and Turquoise.
The Stereo Times
By Clement Perry
Pimp My Deck! UHA designer Greg Beron has a sure winner in his fancy modified decks. Bravo!
The Nola / United Home Audio (UHA) room, that featured Audio Research electronics, was among the larger suites at this years RMAF.
It was easy to be lured into the warm and sumptuous sound being produces by a pair of
UHA decks that were being operated by an I pod based remote.
It was among the better sounding setups as well. Something about hi-rez analogue tapes that's
very easy on the ears without the usual suppression of the upper frequencies.
RMAF 2010 Room 2021
with NOLA Speakers, Audio Research, Nordost Cables
RMAF 2010 Room 2020
with Jolida, Von Schweikert Speakers, Celtic Silver Cables
September 2010
The Absolute Sound Magazine
The Tape Project and The UHA-HQ Tape Decks Review
By Jonathan Valin
...recommends several machines - including huge studio quality Amprex and Studers, as well as smaller "prosumer" machines from Technics and Otari.
I myself highly recommend the modified TASCAM decks from United Home Audio
which I gave a Golden Ear Award to in issue 202.
...on the best Tape Project titles,
it is without question the most realistic source component I've tried.
It is also exceedingly easy to use and a snap to setup.
...you will get more dimensional imaging, finer low-level resolution, somewhat truer timbres, simply phenomenal dynamics, astonishinly wide and deep
soundstaging, and greater overall realism on select 15ips tapes, and on the best of them, such as the Arnold Overtures, you will, as I said above,
get a sound that comes closer to the sound of a full orchestra in a real hall than any other recorded medium I've heard.
You've been reading quite a bit about the UHA-HQ decks:
1.) You've read The Absolute Sound Magazine review.
2.) Heard about The Tape Project Seminar by Paul Stubblebine at UHA.
3.) Seen the Golden Ear Award in The Absolute Sound Magazine.
4.) Read about the "Best Source Component of Rocky Mountain Audio Fest 2009".
Now it's time for an audition!
We provide the ability to listen to our decks 6 days a week at UHA.
Buy with confidence, at UHA we actually invite you to listen before you buy.
June 2010!
The UHA-HQ Phase5 Reel to Reel tape deck
wins a "Golden Ear Award" for 2010
from The Absolute Sound Magazine!
First Capital Audiofest 2010
The United Home Audio room at The Capital Audiofest
Click image below for more info and pictures
Rocky Mountain Audio Fest 2009 NEWS:
Jonathan Valin from
Tha Absolute Sound gives
Rocky Mountain Audio Fest 2009
Best Source Component Award to
The new UHA-HQ Reel to Reel TapeDeck!
Jonathan Valin's
Best Sound of Show:
Vandersteen Model 7, with the Nola Baby Grand Reference, the MBL 111F,
The Nordic Tone, the Lotus Group Granada,
the Anat Reference II (Parish room only), and the GamuT S-9 runners-up
Best Introduction (or Speaker I Hadn’t Heard or Don’t Remember Hearing Before):
Lotus Group Granada, The Nordic Tone, the Haniwa HSP2H07 (tie)
Best Source Component:
The UHA-HQ 15ips 2-track tape deck from United Home Audio ($10k)
and Tape Project tapes in the Nola room.
Best Bargain:
Well…in my neck of the woods a bargain ain’t exactly a bargain,
but I did hear Odyssey Khartagos sounding mighty damn sweet in somebody’s room
Biggest Improvement Over Previous Shows:
Focal Grande Utopia and Vivid G1 Giya (tie)
Biggest Improvement During the Show:
Wilson Sasha W/P
_______________________________
TAS, avguide.com web site forum postings:
_______________________________
Rex (not verified) -- Tue, 10/06/2009 - 17:40
Jonathan,
How did the Nola Baby Grands perform when fed by your personal CDs?
Did they even have a CD player set up?
Regards,
Rex
____________________________________
Jonathan Valin -- Wed, 10/07/2009 - 01:27
Rex,
To tell you the truth I was so entranced by the sound
of the tapes I don't know if Carl had a CD player.
Jon
The Baltimore / Washington D.C. Metro
Audio Society meeting Dec.5th 2009
at United Home Audio 12:00pm.
Paul Stubblebine from "The Tape Project"
conducted a seminar on
The Tape Project Master Tapes!
It was a great seminar, too bad it snowed all day!
Click on the picture for details
Mike Allen UHA / Paul Stubblebine TTP / Greg Beron UHA
Want better sounding CD's, this is a secret for UHA customers only!
Greg has been using this source to buy high quality Japanese CD's for many years.
They come direct to you safe and secure direct from Japan,
and are the cheapest Japanese CD prices anywhere!
Thousands of superior sounding high quality Japanese pressings, check them out!
(May take a minute to open)
NEW!
You must check out these
NEW HIGH RESOLUTION
CD COMPATABLE FORMAT'S!
Awesome sound!
Jazz / Classical / Rock
New titles every week!
We have the most complete line of MBL equipment in America.
All three lines are available for demo, Basic, Nobel, and Reference.
Here for demo now!
as pictured above, (by appointment only)
The MBL Reference system
Featuring the Radialstrahler 101E speakers and MBL Reference electronics!
With Tara Labs famous "The Zero" interconnects and "Omega" speaker cables!
Also the ultimate source system the Clearaudio Master Reference Turntable, Master Reference Tangential arm,
and the Aesthetix IO phono preamp with dual tube rectified power supplies.
The analog rig is now running the unbelievable Clearaudio Goldfinger cartridge, the best cartridge in the world!
This cartridge has raised the sound quality of this system to such realistic levels, it is truly a
you are there experience, don't miss it!
Reference system auditions are by appointment only please call for assistance.
Don't miss our audiophile MUSIC pick!
Check out our friend PETER ULRICH
formerly of Dead Can Dance fame!
His new release is now out on City Canyons Records !
Here's a link
Also check out Peters previous release "Pathways and Dawns"
The music is great and the recording is a 9.5 out of 10!
I just listened to the new cd "Enter the Mysterium" and I am quite impressed by it
very dynamic and the always changing soundscapes keep you on the edge of your seat!
MEMBER
of the
Thanks for visiting!